He never saw himself recording as a solo artist, but things reached a point where Hammett knew he had something he couldn't keep under wraps. As Portals took shape, Hammett knew that Outwater was a natural for the project. They bonded over their love of all things horror-related, staying in touch. Hammett enlisted a variety of musicians and collaborators – most notably conductor Edwin Outwater, who had previously worked with Metallica on S&M II. He says the music has an "audio-cinematic" approach, one that is meant to create "soundtracks movies in your mind." The title of Portals is deliberate, as Hammett sees each of the four pieces as gateways to myriad musical and psychic destinations. "Twice already!"īy then, he knew he was on a certain path. "Fuckin' hell, it happened again," Hammett adds, with a laugh. A second attempt, which became "The Jinn," produced the same results. As he listened to "Maiden and the Monster," the nearly seven-minute epic that kicks off Portals, Hammett realized that "this has already become something so much more than its original intention," as he tells UCR.
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